Best Books Thrillers Mysteries
[A note from James: "Wait - what?! Fiction?! On a blog for businesspeople?" You bet. In many interviews, I've mentioned that learning how to write fiction can definitely boost your copywriting skills - the two skill sets cross over more than you'd think. So when Kari pitched me the idea for this post, I was all for it. You don't need to go off and write a novel, but you should definitely pick up one of these books to learn better writing skills that help you sell. Take it away, Kari...]
As a fiction writer, I’m drawn to the writing section of bookstores. I have a huge collection of writing books that seems to get larger by the month.
Publishers like Writer’s Digest keep pumping out great titles like, “Where Do You Get Your Ideas?” or “Writing Your Way” – and I keep buying them, thinking they’ll have valuable information I could use.
What I end up with is a stack of writing books that cover the same topic with similar variations. Worse, I never read them.
So many books, so little time, right?
Here’s the biggest problem: The more time I spend reading, the less time I spend actually writing.
Realizing this, I decided enough is enough. I went through my collection, weeded out the wasted money and decided which Top 3 fiction writing books I should keep. Here are the books that made the cut and get to keep their place on my shelves:
1. Anything by Donald Maass.
Donald Maass is the brains behind The Breakout Novelist and Writing 21st Century Fiction. Maass has over thirty years of experience in the publishing industry, and his literary agency represents novelists including Jim Butcher (of The Dresden Files), Anne Perry and Robert McCammon.
His books contain numerous questions that help you add depth to every aspect of your story, from plot to setting and dialogue to character. Through extensive reading and his own agent experience, he’s put together valuable resources that explore the concepts and ideas hit novels have in common – the concepts that draw readers’ attention.
If you want to break out as a novelist and have aspirations of reaching the New York Times bestseller lists, Maass’ books are the ones that tell you exactly how to achieve those goals.
2. Story Engineering by Larry Brooks
You either love Larry Brooks or you don’t. His website StoryFix has won awards from well-known sites like Writer’s Digest and rubs shoulders with Men with Pens as a top writing blog on the Internet.
There’s an argument in some circles about whether you should write by the seat of your pants (called pantsing) or outline your story before you draft it out (called plotting, obviously). Larry Brooks has staked out the plotting claim for his own, and Story Engineering is all about creating good story structure.
For plotters, this is a dream come true. For pantsers, just bear with it – every concept is relevant to your work. Larry goes step by step, pointing out important aspects of story structure and even where those aspects should be in regards to your book to make it a success.
Even if you don’t want to plot everything out to the last scene, as a writer you need to understand WHY structure works the way it does. After all, you have to know which rules to break and which to keep – and why it’s okay to break them in the first place!
3. Wired for Story: The Writer’s Guide to Using Brain Science to Hook Readers from the Very First Sentence by Lisa Cron
I’ve always been interested in how the mind works. And when I saw this book for sale, I jumped at the chance to make it mine.
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Do you think you have a choice?2004-08-24 08:23:42 by areyouagenius
Tom Clancy, Danielle Steele and the rest turn out successful potboilers. Do you think that is easy? They may not be geniuses but they have industry, savvy, and a whole lot of energy.
If you are a "serious" writer and you have talent, you will write books that reflect that but you may also take the path of a lot of serious (but not best selling) writers who write mysteries or thrillers under pseudonyms to pay the rent.
I have no idea what you meant by that.2011-02-28 13:45:29 by playman
I still say steer clear of anyone who says I got the formulae for making your books great and salable.
There are too many rich and varied ways to tell a story or write a play or a poem, and every writer has to find their own way in. There are plenty of instructors around to help young writers manage this difficult task, but it's a delicate thing because each instructor has to be careful not to impose him/herself on the writer's own process.
Each work is its own beast, with its own particular skeletal structure. All formulas do is homogenize that structure instead of working with it as it is
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